{"id":99,"date":"2025-01-29T14:00:02","date_gmt":"2025-01-29T13:00:02","guid":{"rendered":"http:\/\/karinabeutheorr.com\/?page_id=99"},"modified":"2025-01-29T22:38:44","modified_gmt":"2025-01-29T21:38:44","slug":"home","status":"publish","type":"page","link":"https:\/\/karinabeutheorr.com\/","title":{"rendered":"Home FR"},"content":{"rendered":"

[vc_row unlock_row_content=\u00a0\u00bbyes\u00a0\u00bb row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb12″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbhome\u00a0\u00bb][vc_column width=\u00a0\u00bb4\/6″][\/vc_column][vc_column column_width_percent=\u00a0\u00bb100″ position_vertical=\u00a0\u00bbmiddle\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb2\/6″][vc_single_image media=\u00a0\u00bb93″ media_width_percent=\u00a0\u00bb65″][vc_column_text uncode_shortcode_id=\u00a0\u00bb173707″]ACTUS 2024 : <\/strong><\/p>\n

PUB MONDIALE DE LONGHI FACE \u00c0 BRAD PITT, R\u00c9ALIS\u00c9E PAR L’OSCARIS\u00c9 BENNETT MILLER !<\/strong><\/p>\n

\u201cIN HER CAR\u201d <\/strong>sur France 2, s\u00e9rie tourn\u00e9e en Ukraine en avril dernier. Lea, \u00e9pisode 3.<\/p>\n

TOURNAGE \u201cPARLEMENT\u201d<\/strong>, s\u00e9rie France T\u00e9l\u00e9visions, \u00e0 Strasbourg et Bruxelles.<\/p>\n

TOURNAGE \u201cTRETTEN\u201d<\/strong>, court-m\u00e9trage tourn\u00e9 en Norv\u00e8ge.<\/p>\n

Th\u00e9\u00e2tre : \u201cBORDERLINE(S) INVESTIGATION #2\u201d<\/strong>, tourn\u00e9e 2023-24.<\/p>\n

Th\u00e9\u00e2tre : \u201cLE MAGE DU KREMLIN\u201d<\/strong>, La Scala Automne 2024 ![\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb25″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_color=\u00a0\u00bbcolor-jevc\u00a0\u00bb overlay_alpha=\u00a0\u00bb15″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbvideos\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb85″ position_horizontal=\u00a0\u00bbright\u00a0\u00bb position_vertical=\u00a0\u00bbmiddle\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb1″][vc_custom_heading]<\/p>\n

VIDEOS<\/h1>\n

[\/vc_custom_heading][vc_gallery el_id=\u00a0\u00bbgallery-922909″ isotope_mode=\u00a0\u00bbfitRows\u00a0\u00bb medias=\u00a0\u00bb204,202,131,129,127,125,123,120,261″ gutter_size=\u00a0\u00bb3″ media_items=\u00a0\u00bbmedia|lightbox|poster,icon|md,title,description\u00a0\u00bb screen_lg=\u00a0\u00bb800″ screen_md=\u00a0\u00bb600″ screen_sm=\u00a0\u00bb480″ single_text=\u00a0\u00bbunder\u00a0\u00bb images_size=\u00a0\u00bbsixteen-nine\u00a0\u00bb single_overlay_color=\u00a0\u00bbcolor-jevc\u00a0\u00bb single_overlay_opacity=\u00a0\u00bb40″ single_text_visible=\u00a0\u00bbyes\u00a0\u00bb single_image_anim=\u00a0\u00bbno\u00a0\u00bb single_padding=\u00a0\u00bb0″ single_title_weight=\u00a0\u00bb600″ single_title_transform=\u00a0\u00bbuppercase\u00a0\u00bb single_icon=\u00a0\u00bbfa fa-play-circle-o\u00a0\u00bb single_border=\u00a0\u00bbyes\u00a0\u00bb single_css_animation=\u00a0\u00bbalpha-anim\u00a0\u00bb lbox_caption=\u00a0\u00bbyes\u00a0\u00bb lbox_no_tmb=\u00a0\u00bbyes\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb151299″][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb58″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_alpha=\u00a0\u00bb15″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbphotos\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb75″ position_horizontal=\u00a0\u00bbright\u00a0\u00bb position_vertical=\u00a0\u00bbmiddle\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb1″][vc_custom_heading]<\/p>\n

PHOTOS<\/h1>\n

[\/vc_custom_heading][vc_gallery el_id=\u00a0\u00bbgallery-922909″ medias=\u00a0\u00bb156,53,167,165,43,171,55,175,52,173,45,169,51,163,41,47,54,49,48,42,50,46,44″ gutter_size=\u00a0\u00bb0″ media_items=\u00a0\u00bbmedia|lightbox|original\u00a0\u00bb screen_lg=\u00a0\u00bb680″ screen_md=\u00a0\u00bb480″ screen_sm=\u00a0\u00bb360″ single_text=\u00a0\u00bbunder\u00a0\u00bb images_size=\u00a0\u00bbone-one\u00a0\u00bb single_style=\u00a0\u00bbdark\u00a0\u00bb single_overlay_color=\u00a0\u00bbcolor-jevc\u00a0\u00bb single_overlay_opacity=\u00a0\u00bb50″ single_image_anim=\u00a0\u00bbno\u00a0\u00bb single_padding=\u00a0\u00bb2″ single_title_weight=\u00a0\u00bb600″ single_title_transform=\u00a0\u00bbuppercase\u00a0\u00bb single_border=\u00a0\u00bbyes\u00a0\u00bb single_css_animation=\u00a0\u00bbalpha-anim\u00a0\u00bb lbox_caption=\u00a0\u00bbyes\u00a0\u00bb lbox_no_tmb=\u00a0\u00bbyes\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb61″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_color=\u00a0\u00bbcolor-jevc\u00a0\u00bb overlay_alpha=\u00a0\u00bb20″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbcv\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb85″ position_horizontal=\u00a0\u00bbright\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb1″][vc_custom_heading]<\/p>\n

CV<\/h1>\n

[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00a0\u00bb172742″]Belgo-su\u00e9doise, vit \u00e0 Paris<\/p>\n

Fran\u00e7ais et Anglais langues maternelles
\nN\u00e9\u00e9rlandais bilingue,
\nSu\u00e9dois, Espagnol et Italien courant<\/p>\n

Cheveux blonds, yeux bleus
\n1m72<\/p>\n

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<\/span><\/p>\n

LONG-M\u00c9TRAGE<\/h3>\n

2023 \u00a0 <\/strong>\u00ab\u00a0Normale\u00a0\u00bb –<\/em> Olivier BABINET
\n2022<\/strong>\u00a0 \u00a0\u00ab\u00a0Irr\u00e9ductible\u00a0\u00bb\u00a0–<\/em> J\u00e9r\u00f4me COMMANDEUR
\n– Grand Prix du Festival de l’Alpe d’Huez<\/em>
\n2022<\/strong>\u00a0 \u00a0\u00ab\u00a0Enqu\u00eate sur un Scandale d’\u00c9tat\u00a0\u00bb\u00a0–<\/em> Thierry DE PERETTI
\n2020<\/strong>\u00a0 \u00a0\u00ab\u00a0Resistance\u00a0\u00bb\u00a0–<\/em> Jonathan JAKUBOWICZ
\n2018<\/strong>\u00a0 \u00a0\u00ab\u00a0La Ch\u2019Tite Famille\u00a0\u00bb\u00a0–<\/em> Dany BOON
\n2014<\/strong>\u00a0 \u00a0\u00ab\u00a0Un Homme Id\u00e9al\u00a0\u00bb\u00a0–<\/em> Yann GOZLAN
\n2012<\/strong>\u00a0 \u00a0\u00ab\u00a0Ne Nous Soumets pas \u00e0 la Tentation\u00a0\u00bb\u00a0–<\/em> Cheyenne CARRON
\n– Best Film au Braunschweig Festival (Allemagne)<\/em>
\n2011<\/strong>\u00a0 \u00a0\u00ab\u00a0L\u2019Exercice de l\u2019Etat\u00a0\u00bb\u00a0– Pierre SCHOELLER
\n– S\u00e9lectionn\u00e9 dans la cat\u00e9gorie \u00ab\u00a0Un Certain Regard\u00a0\u00bb Cannes 2011<\/em>
\n– Prix du Meilleur Sc\u00e9nario et Meilleur Son C\u00e9sar 2012<\/em>
\n2011<\/strong>\u00a0 \u00a0\u00ab\u00a0Et soudain, tout le monde me manque\u00a0\u00bb\u00a0– Jennifer DEVOLD\u00c8RE
\n2009 \u00a0<\/strong>\u00a0\u00ab\u00a0Mus\u00e9e Haut Mus\u00e9e Bas\u00a0\u00bb\u00a0– Jean-Michel RIBES
\n2008<\/strong>\u00a0 \u00a0\u00ab\u00a0La Troisi\u00e8me Partie du Monde\u00a0\u00bb\u00a0– Eric FORESTIER<\/p>\n

T\u00c9L\u00c9VISION<\/h3>\n

2025 \u00a0<\/strong>\u00ab\u00a0Band of Spies\u00a0\u00bb s\u00e9rie Paramount+
\nR\u00f4le : Mme Martin
\n2024 \u00a0<\/strong>\u00ab\u00a0Parlement\u00a0\u00bb France T\u00e9l\u00e9visions – No\u00e9 DEBR\u00c9
\nR\u00f4le : Dircab
\n2024 \u00a0<\/strong>\u00ab\u00a0In Her Car\u00a0\u00bb European Launch of series about Ukraine war – Eugen TUNICK
\nR\u00f4le : Lea
\n2019 \u00a0<\/strong>\u00a0\u00ab\u00a0The Crown\u00a0\u00bb (Netflix UK) Saison 4 – Paul WHITTINGTON
\nR\u00f4le : Anne-Charlotte Verney
\n2019 \u00a0<\/strong>\u00a0\u00ab\u00a0Adult Material\u00a0\u00bb (UK Channel 4) Saison 1 – Dawn SHADFORTH
\nR\u00f4le : Silje
\n2019 \u00a0<\/strong>\u00a0\u00ab\u00a0Trigonometry\u00a0\u00bb 5UK BBC2) Saison 1 – Atsina-Rachel TSANGARI
\nR\u00f4le : Lynn
\n2018-19 \u00a0<\/strong>\u00a0\u00ab\u00a0Engrenages\u00a0\u00bb Saison 7 – Jean-Philippe AMAR
\nR\u00f4le : Anne-Marie Lazare
\n2018-19 \u00a0<\/strong>\u00a0\u00ab\u00a0Sous la Peau\u00a0\u00bb – Didier LE P\u00caCHEUR
\nR\u00f4le : Lydia
\n2017 \u00a0<\/strong>\u00a0\u00ab\u00a0Surrogate Partner Therapy\u00a0\u00bb BLACKPILLS –\u00a0Mateo GUEZ
\nR\u00f4le : Paula
\n2016<\/strong>\u00a0 \u00a0\u00ab\u00a0Profilage\u00a0\u00bb Saison 7 –\u00a0Vincent JAMAIN
\nR\u00f4le : Alexandra Mandel
\n2014<\/strong>\u00a0 \u00a0\u00ab\u00a0Commissaire Magellan\u00a0\u00bb 17 –\u00a0G\u00e9rard DHAENE
\nR\u00f4le : Emma Delvaux
\n2011<\/strong>\u00a0 \u00a0\u00ab\u00a0Section de Recherche\u00a0\u00bb Saison 5 –\u00a0G\u00e9rard MARX
\nR\u00f4le : Ingrid Dubreuil<\/p>\n

PILOTE S\u00c9RIE<\/h3>\n

2013 \u00a0<\/strong> \u00ab\u00a0Secret Paris with Cara Black\u00a0\u00bb (pilote s\u00e9rie US)
\n2010 \u00a0<\/strong> \u00ab\u00a0Morning Star\u00a0\u00bb (pilote s\u00e9rie US) –\u00a0Klemen NOVAK
\n2008<\/strong>\u00a0 \u00a0\u00ab\u00a0Lost Memories\u00a0\u00bb –\u00a0Anne LARROQUE<\/p>\n

COURT-M\u00c9TRAGE<\/h3>\n

2023 \u00a0<\/strong>\u00ab\u00a0Tretten\u00a0\u00bb –<\/em> Maxime VAUX
\n2022 \u00a0<\/strong> \u00ab\u00a0Nous Deux ou Bien Rien\u00a0\u00bb – Karina BEUTHE ORR (sc\u00e9nariste\/r\u00e9alisatrice)
\n<\/strong>– S\u00e9lectionn\u00e9 aux Rome Prisma Awards, Berlin Indie Festival, Cannes Shorts, Sunday Shorts (UK), Paris Courts Devant, Paris International Film Festival, Stockholm City Film Festival, Boden International Film Festival, 5th<\/sup>\u00a0International Women Filmmakers Festival (T)
\n<\/em>2021 \u00a0<\/strong> \u00ab\u00a0Mirror Mirror\u00a0\u00bb Bj\u00f6rn RUHMANN (UK)
\n2019 \u00a0<\/strong> \u00ab\u00a0Toile Blanche\u00a0\u00bb – Chlo\u00e9 STINUS & Candice P\u00c9TERS
\n2019 \u00a0<\/strong> \u00ab\u00a0Oranda\u00a0\u00bb –\u00a0Livan GARCIA-DUQUESNE (UK)
\n– Meilleure Actrice aux Rome Prisma Awards<\/em>
\n2018-19 \u00a0<\/strong> \u00ab\u00a0Carr\u00e9 644\u00a0\u00bb –\u00a0Azize KABOUCHE
\n2018\u00a0<\/strong> \u00ab\u00a0Inheritance\u00a0\u00bb – Olivier LACOMBE
\n2017 \u00a0<\/strong> \u00ab\u00a0Lunar Prospector One\u00a0\u00bb –\u00a0Constance GUIRLET
\n2015<\/strong>\u00a0 \u00a0\u00ab\u00a0La Valse de Marylore\u00a0\u00bb –\u00a0Marco CONTI SIKIC
\n2013 \u00a0<\/strong>\u00a0\u00ab\u00a0K\u00f6nigsberg\u00a0\u00bb – Philipp MAYRHOFER
\n\u00a0 – S\u00e9lectionn\u00e9 dans le Festival de Cannes<\/em>
\n2012 \u00a0<\/strong> \u00ab\u00a0Belgian Story\u00a0\u00bb –\u00a0Myriam DONASIS
\n\u00a0 – S\u00e9lectionn\u00e9 dans les Festivals de Brussels, Torino, Cleveland, Montreal, Zurich, Amsterdam\u2026<\/em>
\n2008 \u00a0<\/strong> \u00ab\u00a0Les Quatre Colonnes\u00a0\u00bb – Azize KABOUCHE
\n2007<\/strong>\u00a0 \u00a0\u00ab\u00a0V.1047\u00a0\u00bb – Fred GASIMOV
\n2006 \u00a0<\/strong> \u00ab\u00a0Histoires\u00a0\u00bb – Yoel DAHAN
\n2004 \u00a0<\/strong> \u00ab\u00a0Surprise\u00a0\u00bb – Jacques BEDEL
\n2003 \u00a0<\/strong> \u00ab\u00a0La Peur\u00a0\u00bb – Meta AKKUS
\n2003 \u00a0<\/strong> \u00ab\u00a0Combien?\u00a0\u00bb – Laurent COLTELLONI\/Gilles TILLET
\n\u00a0 – Prix du Meilleur Film aux Festivals de Milan et Valladolid 2004<\/em>
\n2002 \u00a0<\/strong> \u00ab\u00a0Les Gays Envahisseurs\u00a0\u00bb – Myriam DONASIS<\/p>\n

TH\u00c9\u00c2TRE<\/h3>\n

2023<\/strong>\u00a0 \u00a0\u00ab\u00a0Le Mage du Kremlin\u00a0\u00bb Giuliano DA EMPOLI\/Rolalnd AUZET
\n2022<\/strong>\u00a0 \u00a0\u00ab\u00a0Borderline(s) Investigation #2\u00a0\u00bb Fr\u00e9d\u00e9ric FERRER, cr\u00e9a novembre 2022
\n2022<\/strong>\u00a0 \u00a0\u00ab\u00a0Nous l’Europe Banquet des Peuples\u00a0\u00bb Laurent GAUD\u00c9\/Roland AUZET
\n2019-20<\/strong>\u00a0 \u00a0\u00ab\u00a065 Miles\u00a0\u00bb Matt HARTLEY\/Pamela RAVASSARD
\n2018-22<\/strong>\u00a0 \u00a0\u00ab\u00a0Borderline(s) Investigation #1\u00a0\u00bb Fr\u00e9d\u00e9ric FERRER
\n2015-20<\/strong>\u00a0 \u00a0\u00ab\u00a0Kyoto Forever 2\u00a0\u00bb Fr\u00e9d\u00e9ric FERRER
\n2015<\/strong>\u00a0 104 \u00ab\u00a0D\u00e9voration\u00a0\u00bb creation collective mes. Maxime FRANZETTI
\n2012<\/strong>\u00a0 TH\u00c9\u00c2TRE OUVERT, \u00ab\u00a0Ouverture\u00a0\u00bb Arnaud CATHRINE\/Philippe CALVARIO
\n2011<\/strong>\u00a0 TH\u00c9\u00c2TRE DE L\u2019EST PARISIEN,\u00a0\u00bbSonate pour quatre auteurs\u00a0\u00bb BERGMAN\/Azize KABOUCHE
\n2007<\/strong>\u00a0 TH\u00c9\u00c2TRE DE LA REINE BLANCHE, \u00ab\u00a0Le Nain\u00a0\u00bb d’Assane TIMBO
\n2007<\/strong>\u00a0 TH\u00c9\u00c2TRE 13, \u00ab\u00a0Ambulance\u00a0\u00bb Gregory MOTTON\/Maxime FRANZETTI
\n2007<\/strong>\u00a0 TH\u00c9\u00c2TRE NORD-OUEST, \u00ab\u00a0Tableau d\u2019une ex\u00e9cution\u00a0\u00bb Howard BARKER\/Pauline MANDROUX
\n2006<\/strong>\u00a0 TH\u00c9\u00c2TRE DU MARAIS, \u00ab\u00a0Rorschach\u00a0\u00bb\u00a0cr\u00e9ation d\u2019\u00e9criture collective de Classe Libre
\n2006<\/strong>\u00a0 \u00a0VINGTI\u00c8ME TH\u00c9\u00c2TRE, \u00ab\u00a0A Woman of Mystery\u00a0\u00bb de CASSAVETES\/Marc GOLDBERG
\n2006<\/strong>\u00a0 \u00a0VINGTI\u00c8ME TH\u00c9\u00c2TRE + AVIGNON OFF, \u00ab\u00a0La Farce du Cuvier\u00a0\u00bb\u00a0Marc GOLDBERG
\n2004-06<\/strong>\u00a0 TH\u00c9\u00c2TRE DU ROND-POINT, \u00ab\u00a0Mus\u00e9e Haut, Mus\u00e9e Bas\u00a0\u00bb\u00a0Jean-Michel RIBES
\n2005<\/strong>\u00a0 AVIGNON OFF, \u00ab\u00a0Je suis ta m\u00e9moire\u00a0\u00bb Sophie BALAZARD
\n2005<\/strong>\u00a0 \u00a0FESTIVAL SAINT-MAND\u00c9, \u00ab\u00a0Le Barbier de S\u00e9ville\u00a0\u00bb BEAUMARCHAIS\/Paul DELIZE
\n2004<\/strong>\u00a0 \u00a0NORMANDY TOUR, \u00ab\u00a0Henri II\u00a0\u00bb Vytas KRAUJELIS
\n2004<\/strong>\u00a0 TH\u00c9\u00c2TRE DES BOUFFES DU NORD, \u00ab\u00a0Roberto Zucco\u00a0\u00bb B-M KOLTES\/Philippe CALVARIO
\n2003<\/strong>\u00a0 TH\u00c9\u00c2TRE CLAVEL, \u00ab\u00a0Les Mangeuses de Chocolat\u00a0\u00bb Philippe BLASBAND\/Fleur MICHELS
\n2003 \u00a0<\/strong> TH\u00c9\u00c2TRE DU MARAIS, \u00ab\u00a0The Laramie Project\u00a0\u00bb de M. KAUFMANN\/Lesley CHATTERLEY<\/p>\n

PUBLICIT\u00c9<\/h3>\n

2023-24 \u00a0 DE LONGHI feat BRAD PITT \u2013 Bennett MILLER<\/strong><\/p>\n

2019 \u00a0<\/strong> OPTIC 2000 \u2013 Vincent DE BRUS (PM SA)
\n2008 \u00a0<\/strong> MAAF \u2013 Jean-Michel RIBES (Olive Prod)
\n2008<\/strong>\u00a0 \u00a0VOLKSWAGEN \u2013 Arnaud ROUSSEL (Why Us? Prod)
\n2007<\/strong>\u00a0 \u00a0DASSAULT \u2013 Pascal FELLOUS (film institutionnel)
\n2007<\/strong>\u00a0 \u00a0CORSAIRFLY \u2013 Olivier BABINET (Irene Productions)
\n2007<\/strong>\u00a0 \u00a0DANETTE \u2013 Ricardo ALBINANA (Albinana Productions)
\n2006<\/strong>\u00a0 \u00a0SIEMENS \u2013 Pierre ISOARD (Blue Marlyn)
\n2005<\/strong>\u00a0 \u00a0MAAF \u2013 Jean-Michel RIBES (Olive Prod)
\n2004\u00a0 \u00a0<\/strong>NISSAN \u2013 Guillaume COURET (Auditoire)<\/p>\n

CLIP VID\u00c9O<\/h3>\n

2021 \u00a0 <\/strong>SHA\u00c2RGHOT\u00a0\u2013 Etienne BIANCHI
\n2014<\/strong>\u00a0 \u00a0INNA MODJA \u2013 Marco CONTI SIKIC
\n2012<\/strong>\u00a0 \u00a0TAHITI BOY \u2013 Arnaud DELORD
\n2006<\/strong>\u00a0 \u00a0MICHEL SARDOU \u2013 Olivier MARCHAL<\/p>\n

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<\/h6>\n

FORMATION<\/h3>\n

2022 \u00a0 <\/strong>\u00abThe Satirical Clown\u00bb avec CLIVE MENDUS\/SIMON MC BURNEY (London)
\n2021 \u00a0 <\/strong>\u00ab100% English\u00bb avec ELISE MC LEOD
\n2020 \u00a0 <\/strong>\u00abAction in English\u00bb avec JOE SHERIDAN
\n2017<\/strong>\u00a0 \u00a0\u00ab\u00a0Per(f)ilmiques\u00a0\u00bb avec Cyril TESTE & Jo\u00ebl JOUANNEAU
\n2013<\/strong>\u00a0 \u00a0\u00ab\u00a0One Play, One Role\u00a0\u00bb avec Jordan BESWICK
\n2012<\/strong>\u00a0 \u00a0\u00ab\u00a0Novels Voices\u00a0\u00bb avec Philippe CALVARY & Arnaud CATHRINE
\n2012<\/strong>\u00a0 \u00a0AMANDIERS THEATRE \u00ab\u00a0Confinement\u00a0\u00bb avec Abb\u00e8s ZAHMANI
\n2011<\/strong>\u00a0 \u00a0\u00ab\u00a0Violence in Contemporary Writing\u00a0\u00bb avec Philippe CALVARIO & Ivan CALBERAC
\n2010\u00a0<\/strong>\u00a0EST PARISIEN THEATRE \u00ab\u00a0Tchekhov & Bergman\u00a0\u00bb avec Azize KABOUCHE
\n2009<\/strong>\u00a0 CHAILLOT NATIONAL THEATRE, Paris avec Isabelle RATTIER
\n2007<\/strong>\u00a0 \u00a0Stage \u00ab\u00a0In Front of the Camera\u00a0\u00bb avec Nora HABIB
\n2005<\/strong>\u00a0 \u00a0S\u00e9lection Prix Olga Horstig
\n2004-2006<\/strong>\u00a0 \u00a0Classe Libre Promotion XXV (J-P GARNIER,\u2028St\u00e9phane AUVRAY-NAUROY, C\u00e9dric PREVOST)
\n2001-2004 \u00a0<\/strong>\u00a0Cours Florent (Vytas KRAUJELIS, Nathalie DORVAL, J\u00e9r\u00f4me POULY)
\n2001-2004<\/strong>\u00a0 \u00a0\u00ab Acting in English \u00bb – Advanced class (Lesley CHATTERLEY)
\n2003<\/strong>\u00a0 \u00a0Stage masque neutre et Commedia dell\u2019arte dirig\u00e9 par Guy-Jo\u00ebl PARIS
\n2001-2002<\/strong>\u00a0 \u00a0DEUG d\u2019Etudes Th\u00e9\u00e2trales Sorbonne Paris III<\/p>\n

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<\/p>\n

1998-2001<\/strong>\u00a0 \u00a0EMI Music France : Responsable D\u00e9veloppement et Communication Internationale
\n1997-1998<\/strong>\u00a0 \u00a0Centre Culturel Communaut\u00e9 Fran\u00e7aise de Belgique : Responsable Communication
\n1994-1997<\/strong>\u00a0 \u00a0EMI Music Belgium : Attach\u00e9e de presse
\n1988-1993 \u00a0<\/strong>\u00a0Acad\u00e9mie Royale des Beaux-Arts d’Anvers\/Belgique\u2028- sp\u00e9cialisation Graphisme<\/p>\n

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<\/h6>\n

Sport<\/strong> : natation (10 ans de natation synchronis\u00e9e), yoga, footing, ski,
\nEquitation : trot enlev\u00e9, galop, saut, session \u00e0 la jambe, recul, approche de la mont\u00e9e en amazone.<\/p>\n

Permis de conduire<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb50″ back_image=\u00a0\u00bb63″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ mobile_visibility=\u00a0\u00bbyes\u00a0\u00bb row_height_pixel=\u00a0\u00bb100px\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb65″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_alpha=\u00a0\u00bb15″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbcontact\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb100″ position_vertical=\u00a0\u00bbmiddle\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb2″][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/2″][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/2″][vc_column_text uncode_shortcode_id=\u00a0\u00bb196326″]<\/p>\n


\n<\/b>AGENT FR<\/h3>\n

Paul Bribosia<\/span><\/strong><\/span><\/p>\n

NOMA Talents<\/div>\n
31 bv. de la Tour Maubourg<\/div>\n
75007 Paris<\/div>\n
<\/div>\n
paul@noma-talents.com<\/div>\n
<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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