{"id":9,"date":"2025-01-29T09:58:58","date_gmt":"2025-01-29T08:58:58","guid":{"rendered":"http:\/\/karinabeutheorr.com\/?page_id=9"},"modified":"2025-01-29T22:39:59","modified_gmt":"2025-01-29T21:39:59","slug":"home","status":"publish","type":"page","link":"https:\/\/karinabeutheorr.com\/index.php\/home\/?lang=en","title":{"rendered":"Home EN"},"content":{"rendered":"

[vc_row unlock_row_content=\u00a0\u00bbyes\u00a0\u00bb row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb12″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbhome\u00a0\u00bb][vc_column width=\u00a0\u00bb4\/6″][\/vc_column][vc_column column_width_percent=\u00a0\u00bb100″ position_vertical=\u00a0\u00bbmiddle\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb2\/6″][vc_single_image media=\u00a0\u00bb93″ media_width_percent=\u00a0\u00bb65″][vc_column_text uncode_shortcode_id=\u00a0\u00bb894903″]NEWS 2024 : <\/strong><\/p>\n

WORLDWIDE AD DE LONGHI WITH BRAD PITT, SHOT BY OSCAR WINNER BENNETT MILLER !<\/strong><\/p>\n

EUROPEAN LAUNCH OF \u201cIN HER CAR\u201d <\/strong>series shot in Ukraine last April. Lea, episode 3.<\/p>\n

SHOOTING \u201cPARLEMENT\u201d<\/strong>, French series shot in Strasbourg and Brussels.<\/p>\n

SHOOTING \u201cTRETTEN\u201d<\/strong>, short film shot in Norway<\/p>\n

Theatre : \u201cBORDERLINE(S) INVESTIGATION #2\u201d<\/strong>, tour 2023-24.<\/p>\n

Theatre : \u201cTHE WIZARD OF THE KREMLIN\u201d<\/strong>, Paris premi\u00e8re Fall 2024 ![\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb25″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_color=\u00a0\u00bbcolor-jevc\u00a0\u00bb overlay_alpha=\u00a0\u00bb15″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbvideos\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb85″ position_horizontal=\u00a0\u00bbright\u00a0\u00bb position_vertical=\u00a0\u00bbmiddle\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb1″][vc_custom_heading]<\/p>\n

VIDEOS<\/h1>\n

[\/vc_custom_heading][vc_gallery el_id=\u00a0\u00bbgallery-922909″ isotope_mode=\u00a0\u00bbfitRows\u00a0\u00bb medias=\u00a0\u00bb37,36,35,34,31,19,262,205,203″ gutter_size=\u00a0\u00bb3″ media_items=\u00a0\u00bbcaption,category,spacer|half\u00a0\u00bb screen_lg=\u00a0\u00bb800″ screen_md=\u00a0\u00bb600″ screen_sm=\u00a0\u00bb480″ single_text=\u00a0\u00bbunder\u00a0\u00bb images_size=\u00a0\u00bbsixteen-nine\u00a0\u00bb single_overlay_color=\u00a0\u00bbcolor-jevc\u00a0\u00bb single_overlay_opacity=\u00a0\u00bb40″ single_text_visible=\u00a0\u00bbyes\u00a0\u00bb single_image_anim=\u00a0\u00bbno\u00a0\u00bb single_padding=\u00a0\u00bb0″ single_title_weight=\u00a0\u00bb600″ single_title_transform=\u00a0\u00bbuppercase\u00a0\u00bb single_icon=\u00a0\u00bbfa fa-play-circle-o\u00a0\u00bb single_border=\u00a0\u00bbyes\u00a0\u00bb single_css_animation=\u00a0\u00bbalpha-anim\u00a0\u00bb lbox_caption=\u00a0\u00bbyes\u00a0\u00bb lbox_no_tmb=\u00a0\u00bbyes\u00a0\u00bb uncode_shortcode_id=\u00a0\u00bb184169″ items=\u00a0\u00bbeyIyMDNfaSI6eyJzaW5nbGVfaWNvbiI6ImZhIGZhLXBsYXktY2lyY2xlLW8ifX0=\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb58″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_alpha=\u00a0\u00bb15″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbphotos\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb75″ position_horizontal=\u00a0\u00bbright\u00a0\u00bb position_vertical=\u00a0\u00bbmiddle\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb1″][vc_custom_heading]<\/p>\n

PHOTOS<\/h1>\n

[\/vc_custom_heading][vc_gallery el_id=\u00a0\u00bbgallery-922909″ medias=\u00a0\u00bb155,53,170,166,164,43,168,172,55,158,52,162,44,45,51,41,47,54,49,48,42,50,46″ gutter_size=\u00a0\u00bb0″ media_items=\u00a0\u00bb\u00a0\u00bb screen_lg=\u00a0\u00bb680″ screen_md=\u00a0\u00bb480″ screen_sm=\u00a0\u00bb360″ single_text=\u00a0\u00bbunder\u00a0\u00bb images_size=\u00a0\u00bbone-one\u00a0\u00bb single_style=\u00a0\u00bbdark\u00a0\u00bb single_overlay_color=\u00a0\u00bbcolor-jevc\u00a0\u00bb single_overlay_opacity=\u00a0\u00bb50″ single_image_anim=\u00a0\u00bbno\u00a0\u00bb single_padding=\u00a0\u00bb2″ single_title_weight=\u00a0\u00bb600″ single_title_transform=\u00a0\u00bbuppercase\u00a0\u00bb single_border=\u00a0\u00bbyes,yes,yes,yes,yes,yes,yes,yes,yes,yes,yes,yes,yes,yes,yes,yes\u00a0\u00bb single_css_animation=\u00a0\u00bbalpha-anim\u00a0\u00bb lbox_caption=\u00a0\u00bbyes\u00a0\u00bb lbox_no_tmb=\u00a0\u00bbyes\u00a0\u00bb][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb61″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_color=\u00a0\u00bbcolor-jevc\u00a0\u00bb overlay_alpha=\u00a0\u00bb20″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbcv\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb85″ position_horizontal=\u00a0\u00bbright\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb1″][vc_custom_heading]<\/p>\n

CV<\/h1>\n

[\/vc_custom_heading][vc_column_text uncode_shortcode_id=\u00a0\u00bb554450″]Belgian Swedish American origins<\/p>\n

Lives in Paris and London<\/p>\n

Native French
\nFluent English and Dutch
\nGood Swedish, Spanish and Italian<\/p>\n

Red\/Blond hair, blue eyes
\n1m72 (5ft 8in)<\/p>\n

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<\/span><\/p>\n

FEATURE FILMS<\/h3>\n

2023 \u00a0<\/strong>\u00ab\u00a0Normale\u00a0\u00bb –<\/em> Olivier BABINET
\n2022<\/strong>\u00a0 \u00a0\u00ab\u00a0Irr\u00e9ductible\u00a0\u00bb\u00a0–<\/em> J\u00e9r\u00f4me COMMANDEUR
\n– Grand Prix at Festival de l’Alpe d’Huez (France)<\/em>
\n2022<\/strong>\u00a0 \u00a0\u00ab\u00a0Enqu\u00eate sur un Scandale d’\u00c9tat\u00a0\u00bb\u00a0–<\/em> Thierry DE PERETTI
\n2020<\/strong>\u00a0 \u00a0\u00ab\u00a0Resistance\u00a0\u00bb\u00a0–<\/em> Jonathan JAKUBOWICZ (US)
\n2014<\/strong>\u00a0 \u00a0\u00ab\u00a0Un Homme Id\u00e9al\u00a0\u00bb\u00a0–<\/em> Yann GOZLAN
\n2011<\/strong>\u00a0 \u00a0\u00ab\u00a0L\u2019Exercice de l\u2019Etat\u00a0\u00bb\u00a0– Pierre SCHOELLER
\n–<\/em> Selected at Cannes Film Festival 2011
\n– Cesar Prize 2012 Best Original Scenario and Best Sound
\n2011<\/strong>\u00a0 \u00a0\u00ab\u00a0Et soudain, tout le monde me manque\u00a0\u00bb\u00a0– Jennifer DEVOLD\u00c8RE
\n2008<\/strong>\u00a0 \u00a0\u00ab\u00a0La Troisi\u00e8me Partie du Monde\u00a0\u00bb\u00a0– Eric FORESTIER<\/p>\n

TELEVISION<\/h3>\n

2025 \u00a0<\/strong>\u00ab\u00a0Band of Spies\u00a0\u00bb series Paramount+
\ncharacter : Mme Martin
\n2024 \u00a0<\/strong> \u00ab\u00a0Parlement\u00a0\u00bb France T\u00e9l\u00e9visions – No\u00e9 DEBR\u00c9
\ncharacter : Dircab
\n2024 \u00a0<\/strong> \u00ab\u00a0In Her Car\u00a0\u00bb European Launch of series about Ukraine war – Eugen TUNICK
\ncharacter : Lea
\n2020 \u00a0<\/strong>\u00a0\u00ab\u00a0The Crown\u00a0\u00bb (UK) Season 4 – Paul WHITTINGTON
\ncharacter : Anne-Charlotte Verney
\n2019 \u00a0<\/strong>\u00a0\u00ab\u00a0Adult Material\u00a0\u00bb (UK) Season 1 – Dawn SHADFORTH
\ncharacter : Silje
\n2019 \u00a0<\/strong>\u00a0\u00ab\u00a0Trigonometry\u00a0\u00bb (UK) Season 1 – Athina-Rachel TSANGARI
\ncharacter : Lynn
\n2018-19 \u00a0<\/strong>\u00a0\u00ab\u00a0Engrenages\u00a0\u00bb Season 7 – Jean-Philippe AMAR
\ncharacter : Anne-Marie Lazare
\n2018-19 \u00a0<\/strong>\u00a0\u00ab\u00a0Sous la Peau\u00a0\u00bb – Didier LE P\u00caCHEUR
\ncharacter : Lydia
\n2017 \u00a0<\/strong>\u00a0\u00ab\u00a0Surrogate Partner Therapy\u00a0\u00bb BLACKPILLS –\u00a0Mateo GUEZ
\ncharacter : Paula
\n2016<\/strong>\u00a0 \u00a0\u00ab\u00a0Profilage\u00a0\u00bb Season 7 –\u00a0Vincent JAMAIN
\ncharacter : Alexandra Mandel
\n2014<\/strong>\u00a0 \u00a0\u00ab\u00a0Commissaire Magellan\u00a0\u00bb 17 –\u00a0G\u00e9rard DHAENE
\ncharacter : Emma Delvaux
\n2011<\/strong>\u00a0 \u00a0\u00ab\u00a0Section de Recherche\u00a0\u00bb Season 5 –\u00a0G\u00e9rard MARX
\ncharacter : Ingrid Dubreuil<\/p>\n

PILOTS<\/h3>\n

2013 \u00a0<\/strong> \u00ab\u00a0Secret Paris with Cara Black\u00a0\u00bb (US pilot)
\n2010 \u00a0<\/strong> \u00ab\u00a0Morning Star\u00a0\u00bb (US pilot) –\u00a0Klemen NOVAK
\n2008<\/strong>\u00a0 \u00a0\u00ab\u00a0Lost Memories\u00a0\u00bb –\u00a0Anne LARROQUE<\/p>\n

SHORT FILMS<\/h3>\n

2023 \u00a0<\/strong> \u00ab\u00a0Tretten\u00a0\u00bb Maxime VAUX
\n2022 \u00a0<\/strong> \u00ab\u00a0Nous Deux ou Bien Rien\u00a0\u00bb – Karina BEUTHE ORR (as a writer\/director)
\n<\/strong>– Selections at Rome Prisma Awards (I), Berlin Indie Festival (G), Cannes Shorts (F), Sunday Shorts (UK), Paris Courts Devant (F), Paris International Film Festival (F), Stockholm City Film Festival (S), Boden International Film Festival (S), 5th<\/sup> International Women Filmmakers Festival (T)
\n<\/em>2021 \u00a0<\/strong> \u00ab\u00a0Mirror Mirror\u00a0\u00bb Bj\u00f6rn RUHMANN (UK)
\n2019 \u00a0<\/strong> \u00ab\u00a0Toile Blanche\u00a0\u00bb Chlo\u00e9 STINUS & Candice P\u00c9TERS
\n2019 \u00a0<\/strong> \u00ab\u00a0Oranda\u00a0\u00bb Livan GARCIA-DUQUESNE (UK)
\n– Best Leading Actress at Rome Prisma Awards (I)
\n<\/em>2019 \u00a0<\/strong> \u00ab\u00a0Carr\u00e9 644\u00a0\u00bb Azize KABOUCHE
\n2018-19 \u00a0<\/strong> \u00ab\u00a0Inheritance\u00a0\u00bb Olivier LACOMBE (UK)
\n2017 \u00a0<\/strong> \u00ab\u00a0Lunar Prospector One\u00a0\u00bb Constance GUIRLET
\n2015<\/strong>\u00a0 \u00a0\u00ab\u00a0La Valse de Marylore\u00a0\u00bb Marco CONTI SIKIC
\n2013 \u00a0<\/strong> \u00ab\u00a0K\u00f6nigsberg\u00a0\u00bb Philipp MAYRHOFER
\n\u00a0– Selected at Cannes Film Festival
\n<\/em>2012 \u00a0<\/strong> \u00ab\u00a0Belgian Story\u00a0\u00bb Myriam DONASIS
\n\u00a0 – Selected at Film Festivals in Brussels, Torino, Cleveland, Montreal, Zurich, Amsterdam\u2026
\n<\/em>2008 \u00a0<\/strong> \u00ab\u00a0Les Quatre Colonnes\u00a0\u00bb – Azize KABOUCHE
\n2007<\/strong>\u00a0 \u00a0\u00ab\u00a0V.1047\u00a0\u00bb – Fred GASIMOV
\n2006 \u00a0<\/strong> \u00ab\u00a0Histoires\u00a0\u00bb – Yoel DAHAN
\n2004 \u00a0<\/strong> \u00ab\u00a0Surprise\u00a0\u00bb – Jacques BEDEL
\n2003 \u00a0<\/strong> \u00ab\u00a0La Peur\u00a0\u00bb – Meta AKKUS
\n2003 \u00a0<\/strong> \u00ab\u00a0Combien?\u00a0\u00bb – Laurent COLTELLONI\/Gilles TILLET
\n\u00a0 – Best Film at Milan and Valladolid Festivals 2004
\n<\/em>2002 \u00a0<\/strong> \u00ab\u00a0Les Gays Envahisseurs\u00a0\u00bb – Myriam DONASIS<\/p>\n

THEATRE<\/h3>\n

2024<\/strong>\u00a0 \u00a0\u00ab\u00a0The Wizard of the Kremlin\u00a0\u00bb Giuliano DA EMPOLI\/Roland AUZET
\n2022-23<\/strong>\u00a0 \u00a0\u00ab\u00a0Borderline(s) Investigation #2\u00a0\u00bb Fr\u00e9d\u00e9ric FERRER, creation novembre 2022
\n2022<\/strong>\u00a0 \u00a0\u00ab\u00a0Nous l’Europe Banquet des Peuples\u00a0\u00bb Laurent GAUD\u00c9\/Roland AUZET
\n2019-20<\/strong>\u00a0 \u00a0\u00ab\u00a065 Miles\u00a0\u00bb Matt HARTLEY\/Pamela RAVASSARD
\n2018-22<\/strong>\u00a0 \u00a0\u00ab\u00a0Borderline(s) Investigation #1\u00a0\u00bb Fr\u00e9d\u00e9ric FERRER
\n2015-20<\/strong>\u00a0 \u00a0\u00ab\u00a0Kyoto Forever 2\u00a0\u00bb Fr\u00e9d\u00e9ric FERRER
\n2015<\/strong>\u00a0 104 \u00ab\u00a0D\u00e9voration\u00a0\u00bb creation collective mes. Maxime FRANZETTI
\n2012<\/strong>\u00a0 TH\u00c9\u00c2TRE OUVERT, \u00ab\u00a0Ouverture\u00a0\u00bb Arnaud CATHRINE\/Philippe CALVARIO
\n2011<\/strong>\u00a0 TH\u00c9\u00c2TRE DE L\u2019EST PARISIEN,\u00a0\u00bbSonate pour quatre auteurs\u00a0\u00bb BERGMAN\/Azize KABOUCHE
\n2007<\/strong>\u00a0 TH\u00c9\u00c2TRE DE LA REINE BLANCHE, \u00ab\u00a0Le Nain\u00a0\u00bb d’Assane TIMBO
\n2007<\/strong>\u00a0 TH\u00c9\u00c2TRE 13, \u00ab\u00a0Ambulance\u00a0\u00bb Gregory MOTTON\/Maxime FRANZETTI
\n2007<\/strong>\u00a0 TH\u00c9\u00c2TRE NORD-OUEST, \u00ab\u00a0Tableau d\u2019une ex\u00e9cution\u00a0\u00bb Howard BARKER\/Pauline MANDROUX
\n2006<\/strong>\u00a0 TH\u00c9\u00c2TRE DU MARAIS, \u00ab\u00a0Rorschach\u00a0\u00bb\u00a0cr\u00e9ation d\u2019\u00e9criture collective de Classe Libre
\n2006<\/strong>\u00a0 \u00a0VINGTI\u00c8ME TH\u00c9\u00c2TRE, \u00ab\u00a0A Woman of Mystery\u00a0\u00bb de CASSAVETES\/Marc GOLDBERG
\n2006<\/strong>\u00a0 \u00a0VINGTI\u00c8ME TH\u00c9\u00c2TRE + AVIGNON OFF, \u00ab\u00a0La Farce du Cuvier\u00a0\u00bb\u00a0Marc GOLDBERG
\n2004-06<\/strong>\u00a0 TH\u00c9\u00c2TRE DU ROND-POINT, \u00ab\u00a0Mus\u00e9e Haut, Mus\u00e9e Bas\u00a0\u00bb\u00a0Jean-Michel RIBES
\n2005<\/strong>\u00a0 AVIGNON OFF, \u00ab\u00a0Je suis ta m\u00e9moire\u00a0\u00bb Sophie BALAZARD
\n2005<\/strong>\u00a0 \u00a0FESTIVAL SAINT-MAND\u00c9, \u00ab\u00a0Le Barbier de S\u00e9ville\u00a0\u00bb BEAUMARCHAIS\/Paul DELIZE
\n2004<\/strong>\u00a0 \u00a0NORMANDY TOUR, \u00ab\u00a0Henri II\u00a0\u00bb Vytas KRAUJELIS
\n2004<\/strong>\u00a0 TH\u00c9\u00c2TRE DES BOUFFES DU NORD, \u00ab\u00a0Roberto Zucco\u00a0\u00bb B-M KOLTES\/Philippe CALVARIO
\n2003<\/strong>\u00a0 TH\u00c9\u00c2TRE CLAVEL, \u00ab\u00a0Les Mangeuses de Chocolat\u00a0\u00bb Philippe BLASBAND\/Fleur MICHELS
\n2003 \u00a0<\/strong> TH\u00c9\u00c2TRE DU MARAIS, \u00ab\u00a0The Laramie Project\u00a0\u00bb de M. KAUFMANN\/Lesley CHATTERLEY<\/p>\n

ADS<\/h3>\n

2023-24 \u00a0<\/strong> DE LONGHI WITH BRAD PITT \u2013 Bennett MILLER<\/p>\n

2019 \u00a0<\/strong> OPTIC 2000 \u2013 Vincent DE BRUS
\n2008 \u00a0<\/strong> MAAF \u2013 Jean-Michel RIBES
\n2008<\/strong>\u00a0 \u00a0VOLKSWAGEN \u2013 Arnaud ROUSSEL
\n2007<\/strong>\u00a0 \u00a0DASSAULT \u2013 Pascal FELLOUS
\n2007<\/strong>\u00a0 \u00a0CORSAIRFLY \u2013 Olivier BABINET
\n2007<\/strong>\u00a0 \u00a0DANETTE \u2013 Ricardo ALBINANA
\n2006<\/strong>\u00a0 \u00a0SIEMENS \u2013 Pierre ISOARD
\n2005<\/strong>\u00a0 \u00a0MAAF \u2013 Jean-Michel RIBES
\n2004\u00a0 \u00a0<\/strong>NISSAN \u2013 Guillaume COURET<\/p>\n

VIDEOCLIPS<\/h3>\n

2021 \u00a0 <\/strong>SHA\u00c2RGHOT\u00a0\u2013 Etienne BIANCHI
\n2014<\/strong>\u00a0 \u00a0INNA MODJA \u2013 Marco CONTI SIKIC
\n2012<\/strong>\u00a0 \u00a0TAHITI BOY \u2013 Arnaud DELORD
\n2006<\/strong>\u00a0 \u00a0MICHEL SARDOU \u2013 Olivier MARCHAL<\/p>\n

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<\/h6>\n

TRAINING<\/h3>\n

2022 \u00a0 <\/strong>\u00abThe Satirical Clown\u00bb with CLIVE MENDUS\/SIMON MC BURNEY (London)
\n2021 \u00a0 <\/strong>\u00ab100% English\u00bb with ELISE MC LEOD
\n2020 \u00a0 <\/strong>\u00abAction in English\u00bb with JOE SHERIDAN
\n2017<\/strong>\u00a0 \u00a0\u00ab\u00a0Per(f)ilmiques\u00a0\u00bb with Cyril TESTE & Jo\u00ebl JOUANNEAU
\n2013<\/strong>\u00a0 \u00a0\u00ab\u00a0One Play, One Role\u00a0\u00bb with Jordan BESWICK
\n2012<\/strong>\u00a0 \u00a0\u00ab\u00a0Novels Voices\u00a0\u00bb with director Philippe CALVARY & Arnaud CATHRINE
\n2012<\/strong>\u00a0 \u00a0AMANDIERS THEATRE \u00ab\u00a0Confinement\u00a0\u00bb with Abb\u00e8s ZAHMANI
\n2011<\/strong>\u00a0 \u00a0\u00ab\u00a0Violence in Contemporary Writing\u00a0\u00bb with Philippe CALVARIO & Ivan CALBERAC
\n2010\u00a0<\/strong>\u00a0EST PARISIEN THEATRE \u00ab\u00a0Tchekhov & Bergman\u00a0\u00bb with Azize KABOUCHE
\n2009<\/strong>\u00a0 CHAILLOT NATIONAL THEATRE, Paris with Isabelle RATTIER
\n2007<\/strong>\u00a0 \u00a0Stage \u00ab\u00a0In Front of the Camera\u00a0\u00bb with Nora HABIB
\n2005<\/strong>\u00a0 \u00a0Olga Horstig Prize Selection
\n2004-2006<\/strong>\u00a0 \u00a025th Promotion of Classe Libre (concours)
\n2001-2004 \u00a0<\/strong>\u00a0Paris Theater School Cours Florent
\n2001-2004<\/strong>\u00a0 \u00a0ACTING IN ENGLISH with Lesley CHATTERLEY
\n2003<\/strong>\u00a0 \u00a0Neutral masks and Commedia Dell\u2019Arte with Guy-Jo\u00ebl PARIS
\n2001-2002<\/strong>\u00a0 \u00a0Theater Studies at Sorbonne, Paris<\/p>\n

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<\/p>\n

1998-2001<\/strong>\u00a0 \u00a0EMI Music France : International Development Director
\n1997-1998<\/strong>\u00a0 \u00a0Cultural Center Le Botanique, Brussels : Communication Director
\n1994-1997<\/strong>\u00a0 \u00a0EMI Music Belgium : Press attach\u00e9
\n1988-1993 \u00a0<\/strong>\u00a0Royal Academy of Fine Arts, Antwerp : Graphic Design<\/p>\n

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .<\/h6>\n

Sport<\/strong> : swimming (10 years of synchronized swimming), yoga, running, skiing, horse riding<\/p>\n

Driving Licence<\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb50″ back_image=\u00a0\u00bb63″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_alpha=\u00a0\u00bb50″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ mobile_visibility=\u00a0\u00bbyes\u00a0\u00bb row_height_pixel=\u00a0\u00bb100px\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/1″][\/vc_column][\/vc_row][vc_row row_height_percent=\u00a0\u00bb100″ back_image=\u00a0\u00bb65″ back_repeat=\u00a0\u00bbno-repeat\u00a0\u00bb back_attachment=\u00a0\u00bbfixed\u00a0\u00bb overlay_alpha=\u00a0\u00bb15″ gutter_size=\u00a0\u00bb3″ column_width_percent=\u00a0\u00bb100″ shift_y=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ row_name=\u00a0\u00bbcontact\u00a0\u00bb][vc_column column_width_percent=\u00a0\u00bb100″ position_vertical=\u00a0\u00bbmiddle\u00a0\u00bb gutter_size=\u00a0\u00bb3″ overlay_alpha=\u00a0\u00bb50″ shift_x=\u00a0\u00bb0″ shift_y=\u00a0\u00bb0″ shift_y_down=\u00a0\u00bb0″ z_index=\u00a0\u00bb0″ medium_width=\u00a0\u00bb0″ mobile_width=\u00a0\u00bb0″ width=\u00a0\u00bb1\/1″][vc_empty_space empty_h=\u00a0\u00bb2″][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/2″][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb1\/2″][vc_column_text uncode_shortcode_id=\u00a0\u00bb121008″]<\/p>\n


\n<\/b>AGENT UK<\/h3>\n

Thomas Philip\/Tila Datta
\n<\/strong><\/span>DBA
\n<\/strong>85 Great Portland Street
\n<\/span>First Floor
\nW1W 7LT
\nLondon<\/p>\n

+44 2034756514<\/span><\/span><\/div>\n
dba@dbagency.co.uk<\/a><\/div>\n
<\/div>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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